Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game is in UK and Irish theaters from November 17.
